* Journal of Early American History *ĭispossessed Lives reflects the tremendous complexity embedded in projects that attempt to extricate the histories of enslaved women from an archive seemingly bent on their erasure. Moreover, one will be hard pressed to tread heavily ever again over those documents-or their already fragment-rendered subjects-after reading this incredibly important work. scholars can no longer rationalize the absence of marginalized figures like the women in this book because the archival documents do not explicitly reveal them. Interested in black feminist theory, gender, sexuality, slavery, and the urban Caribbean, interdisciplinary deep dive into the archives collides with so-called conventional understandings of historical methodology, historiography, knowledge production, and especially historical archival research. N astonishing and discipline-changing piece of scholarship. Publisher: University of Pennsylvania Press ISBN: 9780812224184 Number of pages: 232 Dimensions: 229 x 152 mm MEDIA REVIEWS By vividly recounting enslaved life through the experiences of individual women and illuminating their conditions of confinement through the legal, sexual, and representational power wielded by slave owners, colonial authorities, and the archive, Fuentes challenges the way we write histories of vulnerable and often invisible subjects.

In the process, Fuentes interrogates the archive and its historical production to expose the ongoing effects of white colonial power that constrain what can be known about these women.Ĭombining fragmentary sources with interdisciplinary methodologies that include black feminist theory and critical studies of history and slavery, Dispossessed Lives demonstrates how the construction of the archive marked enslaved women's bodies, in life and in death. Fuentes takes us through the streets of Bridgetown with an enslaved runaway inside a brothel run by a freed woman of color in the midst of a white urban household in sexual chaos to the gallows where enslaved people were executed and within violent scenes of enslaved women's punishments. Fuentes creates a portrait of urban Caribbean slavery in this colonial town from the perspective of these women whose stories appear only briefly in historical records. In the eighteenth century, Bridgetown, Barbados, was heavily populated by both enslaved and free women.

Fuentes dispossessed lives